It was on September 23, 2008 that Blitzen Trapper, after putting out three albums on its own label, released its fourth full-length album, Furr, via Sub Pop. At that time, it was a record that captured exactly where the band’s frontman, Eric Earley, found himself, both literally and metaphorically, geographically and existentially. Not that the Portland-based musician actually remembers much about the creation of the record’s 13 intriguing, spellbinding songs. Or, more specifically, what its songs actually mean, either now or then. Instead, Furr, stands as a kind of tribute and elegy to the city that inspired it, but that, a decade later, no longer exists.